"An album which crosses easily the limits between electronic rock, New Age and some perfumes of Berlin School from the Tangerine Dream's best years..."
Description of the track "Event Horizon" from the Synth&Sequences June 2016 review of Sequential Dreams "Legends"
 After a solid opus to start the year, Lost Dimensions, Ron Charron (better known under the name of Kuutana) puts back his clothes of composer and producer of EM of the New Berlin School genre to offer an album which is closer to the roots of the electronic rock of the 90's. Flanked of mainly by Bernhard Beibl on guitars and violins, Kuutana also surrounds himself of Ryo Utasato on synths and arrangements and of Kori Linae Carothers on piano as well as with a variety of musicians from the New Age environment to give a more melodious zest to an album which crosses easily the limits between electronic rock, New Age and some perfumes of Berlin School from the TD's best years...  "A Day Like no Other" brings us in the very New Age American territories. It's a delicate ballad centered on a piano where implosions of bass and guitar riffs pitch a dramatic veil, while Noah Wilding spreads her very ethereal voice. It's the kind of thing that we listen to on a Sunday morning while we are daydreaming in the bed. "Kurenai" is a first crush here with a very good electronic rock perfumed of the ingredients from the best moments of Tangerine Dream in the Melrose years. The percussions and the arrangements forge a kind of good rhythmic ride while the effects of voices add an oriental touch to this track which is as much seductive than lively. "Through the Looking Glass" is another good track which proposes a rather long ambient introduction with an acoustic six-strings which scatters its dreams in some synthesized mists flavored by absent voices. A line of bass sequences, the bass envelope is very omnipresent in this album, lays an ambivalent structure of rhythm which eventually end by tumbling down in effects of rodeo coupled to moments of suspension of those rhythm momentums. The effects of very vaporous orchestrations are placed well here and the small fragments of harmonies throw souvenirs of TD in our ears. It's the cornerstone of Sequential Dreams' foundations. "Event Horizon" is the jewel of this last opus of the international consortium of Kuutana. This is pure TD of the Green Desert year lost in the Exit years. Bernhard Beibl's guitar spreads harmonies under the forms of riffs while the synth throws very cosmic airs. It's rather the movement of ambient rhythm and the riffs of keyboard that gives us this desire to open a CD of Tangerine Dream. Very good and too short! "Canyon Oasis" is not outdone! Between two phases of atmospheres, the title offers a fiery electronic rock where Bernhard Beibl bursts out on his electric six-strings. If the 2nd part is softer, the guitar is more incisive with very good solos. We are in the best moments of “Legends”, to say the least for those who likes solid electronic rock. An electronic rock skillfully tamed, "Mojave Midnight" is my 3rd crush! If the guitar still seduces, the arrangements and the electronic effects, in particular those of the percussions, fill our eager ears. After the point of 4 minutes "Mojave Midnight" offers a superb crescendo, both in the rhythm and the harmonies tortured by the guitar and the arrangements. "The Kindly Beast" is a fascinating title. It's a ballad that one could consider written for macabre films starring phantasmagorical characters. The piano shines here with a fragile ritornello which rises in spiral on atmospheres of fear and on a structure of rhythm which draws these ballads in an obscure merry-go-round. This is very good.  "The Big Apple" is quieter, although development reminds me that of Hamlet, from you know who, without the wild side A good rock slowed down by a beautiful approach of ballad. "One Giant Leap" ends “Legends” on a more theatrical approach which sticks easily to the Dante trilogy of TD. The only drawback concerning this last opus of Sequential Dreams is that it's mixed for those who will listen to it from an iPhone or another intelligent device. The sound of the basses sometimes smother the effects and the rhythm when we listen to “Legends” on a support other than that of the digital technology. A version for hi-fi system is to be hoped. But as for the rest, it's another very good album of electronic rock from the Borders Edge Music house. There is a beautiful balance between the hard-line rhythms and these melodies which go and come to moderate the rhythmic impulses or still to embellish atmospheres which sometimes touch these lands of sadness visualizations in these epic movies where the imagination supplants the fiction. There are tracks here which transcend all that Kuutana realized in date, Bernhard Beibl's presence is doubtless for something here, showing that the best of Ron Charron is yet to come. Sylvain Lupari (June 18th, 2016) |           |
 For (physical CD and digital download) please visit CD Baby | "Legends" Album CreditsBernhard Beibl - cprod; c/p guitars, violin Mission to Shangri-La, Event Horizon, Canyon Oasis, Mojave Midnight, The Electric Monk; and cprod on The Big Apple and One Giant Leap Kori L. Carothers - c/p Piano - A Day Like No Other*, The Kindly Beast* Ryo Utasato - cprod; c/p synthesizers, arrangements - Kurenai Kuutana - All tracks: guitar, synthesizers, arrangements, and c/p on all track except Solo c/p Through the Looking Glass, The Big Apple, and One Giant Leap c/p = Compose and perform ; coprod = Co-produce; arrangements = drums, percussions, vocals, media * 1. A Day Like No Other and 2.The Kindly Beast additional credits On 1. Noah Wilding - vocals , Jeff Haynes - percussion, and Tom Eaton - bass Initial tracks produced by Will Ackerman and Tom Eaton, recorded and mixed by Tom Eaton at Imaginary Road Studios. Kuutana composed and mixed-in layers of synthesizers, guitars, and final arrangements to both tracks to produce the final Sequential Dreams versions for this album. Album artwork by Andreas Schwietzke "Group Photo" composition artwork by Mick Garlick, Sequences Magazine and Podcast |